What am I bid for fine photojournalism?

Rob Tucker and a few of his old mates thought they would flog off a few pictures to raise a few dollars for a good cause.

To be honest, it was more than a few pictures and last Saturday it raised more than a few dollars. The Photojournalism Auction in New Plymouth featured 122 of New Zealand’s most iconic press photographs and it raised almost $200,000. The beneficiary is Hospice Taranaki, which has provided Rob Tucker with comfort and care as he deals with terminal cancer.

The auction was Rob’s way of saying thank you to the hospice, and fellow photojournalists like Ross Land rallied to help as a thank you to Rob for a lifetime contribution to photojournalism and to mateship.

I have known Rob and his journalist brother Jim throughout much of my working life so I’m not going to say much more about the auction than what I said to my two friends on Sunday. Jim and I agreed it was a “bloody fantastic effort” and when Rob and I were talking about the brotherhood (and sisterhood) of journalism, I told him I was “proud to call him brother.”

Today, I want to concentrate on what the auction told us. Not just about the generosity that was there in abundance, but about photojournalism and the enduring qualities of a photographic print. Continue reading “What am I bid for fine photojournalism?”