“A bill that relies — for necessary protections — on the goodwill of government is not good law”

Today the deputy director of Koi Tū The Centre for Informed Futures, Dr Anne Bardsley, and I made oral submissions to the Economic Development, Science and Innovation Committee on the Aotearoa New Zealand Public Media Bill.
I am an affiliate of the Auckland University think tank and, with its director, Sir Peter Gluckman, co-signed a major written submission that received positive comments from select committee members.

Here are links to the submission and the video of the hearing (our oral submission starts at 1:54:00).

The written submission: https://www.parliament.nz/resource/en-NZ/53SCED_EVI_125298_ED10389/779bda3dd2888ba68f3db0ff05f98ff665f459be

The video: https://www.facebook.com/EDSISCNZ/videos/3295834924005893/

What am I bid for fine photojournalism?

Rob Tucker and a few of his old mates thought they would flog off a few pictures to raise a few dollars for a good cause.

To be honest, it was more than a few pictures and last Saturday it raised more than a few dollars. The Photojournalism Auction in New Plymouth featured 122 of New Zealand’s most iconic press photographs and it raised almost $200,000. The beneficiary is Hospice Taranaki, which has provided Rob Tucker with comfort and care as he deals with terminal cancer.

The auction was Rob’s way of saying thank you to the hospice, and fellow photojournalists like Ross Land rallied to help as a thank you to Rob for a lifetime contribution to photojournalism and to mateship.

I have known Rob and his journalist brother Jim throughout much of my working life so I’m not going to say much more about the auction than what I said to my two friends on Sunday. Jim and I agreed it was a “bloody fantastic effort” and when Rob and I were talking about the brotherhood (and sisterhood) of journalism, I told him I was “proud to call him brother.”

Today, I want to concentrate on what the auction told us. Not just about the generosity that was there in abundance, but about photojournalism and the enduring qualities of a photographic print. Continue reading “What am I bid for fine photojournalism?” →

Government media strategies: A dating game that may not end well

I am worried.

I am worried that New Zealand’s media ecosystem is about to be adversely affected by Government initiatives that should be closely coordinated but which are each taking their own course.

There may be a grand strategy but, if that is so, the New Zealand public have not seen it.

Instead, we are slowly becoming aware of strands of policy that have different focal points, different timeframes, and different potential impacts. There are cross-currents that mean each of these policies will have consequences for media outside the primary focus.

The situation is made worse by the fact that much of the policy work has dealt with high level concepts that leave the detail until later.

These combined factors are not necessarily a recipe for disaster, but they are certainly from the Unintended Consequences Cookbook. Continue reading “Government media strategies: A dating game that may not end well” →

The Queen was always good copy

 

To mark the death of Queen Elizabeth, this week’s commentary is handed over to one of New Zealand’s most knowledgeable Royal watchers, former New Zealand Woman’s Weekly editor, Jenny Lynch.

She was always good copy, specially for women’s magazines.

During my time at the NZ Woman’s Weekly ( 1976-1994) I often wondered what we would have done without the Queen and her troublesome family

Outsiders often sneered at the magazine’s so-called love affair with the royals.

But long-time editor Jean Wishart knew a thing or two. So did I when I took over the editor’s chair in 1987.

A good royal story guaranteed good sales.

And when the Queen and Duke of Edinburgh visited New Zealand we could count on very good sales. Continue reading “The Queen was always good copy” →